The Plex Design Blog

Plex Design is a design practice based in Chicago, Illinos specializing in architecture, products, and graphics.

Temari

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Plex is very proud and excited to announce our participation in “Worth Your Salt,” Object Design League’s Pop-Up shop, produced in partnership with Chicago design boutique Pavilion, and sponsored by Orion Offset and Subports.  Plex will be displaying and selling our Temari Japanese Art Ball, from Black Friday through December 11th.  We kindly invite anyone interested in joining us at the opening reception on November 27th (Black Friday) from 5-9 PM at Pavilion.

Pavilion
2055 N. Damen
Chicago, IL 60647

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The Temari is a traditional Japanese ball, which prior to the advent of rubber and plastic, was an everyday object in every Japanese child’s life.  Since the industrial revolution the Temari has shifted from being a utilitarian toy, to being recognized for its intricate and beautiful stitching and colors.  Today the Temari is used either as a charm to adorn bracelets and mobile phones, beautiful holiday ornaments, or as a larger household decoration, adding warm splashes of color to any room, easy to replace and customize for any time of year or special occasion.

In an environment of growing technological domincance, Plex would like the Temari Art Ball to remind homeowners of the importance of hand craft and everyday beauty. The evolving meaning and use of the Temari is a reminder of the necessity of change, and with the new line of fun and modern color pallettes, we hope for you to find your own use and meaning for the Temari Art Ball in your life.

Please contact Plex at info@plexdesign.net for more information.

Filed under: News, Photos, Product Design , , , ,

Niwa

Niwa is a residential competition entry that we submitted in October of 2007. The competition asked us to contemplate the changing relationship between exterior and interior space in modern architecture, especially in relation to the  importance placed upon it throughout Japanese architectural history.  While the city is becoming more and more dense, there must still be exterior space which affects and improves our lives.

Our proposal uses the exterior space, or garden in this case, as an architectural element, which is essential not only to the aesthetic and makeup of the exterior wall, but the program which functions immediately behind it.  Without the natural performance of the Niwa wall, the building could not properly function. Please see below the exact text which we submitted for this project.

The Synthesis of Function and Performance

The existence of Japanese gardens and the dynamism of pure nature have an inverse relationship. The more influential nature is on people, the less necessity there is for a garden. In pre-industrialized Japan, people were more aware of nature and its actions because they could not control it. But as humans’ ability to control nature has developed, the garden has become more important, but also more stale and inert. A parallel problem which has emerged is the general lack of space in urban and suburban residential neighborhoods.

We’re using the solution to the lack of space problem as a catalyst for a re-emergence of dynamism in humans’ relationship with nature: using the house’s exterior walls to grow a garden, and in tern, using this garden to define the interior of the house. Our architectural and natural solution to the lack of space problem creates an inherent bris soleil, which produces shade in the summertime because the plants are catching the majority of direct sunlight, leaving only indirect light to filter through to the residence. In the winter, however, deciduous plants die and the sun moves lower in the sky, letting light into desired spaces. By bringing natural plants directly up to the boundary of the house, we’re promoting and nearly forcing a direct observation of nature by the user.

In Spring, plants let in the fragrant smell of flowering blooms. In Summer, the user is surrounded by green, so that they truly are living IN a garden. In Autumn, the beautiful colors which are so often unseen in the most dense of urban areas are surrounding the user at all times. And in Winter, due to the lifespan of the plants, much needed sunlight easily streams in and warms the house.

Based on the interior spaces and their functions, the plantings are varied by either deciduous or coniferous in nature. The deciduous plants die in the winter, allowing the more public spaces, such as the entry and the living room to be visible from the outside, and for sunlight to come in and warm them up. The more private spaces such as the bathrooms and part of the bedrooms are surrounded by carniferous plants, which are fuller, allowing less vision in, and remain this way throughout the year.

Our proposal creates a synthesis between solving a functional problem [the lack of space sufficient enough to plant gardens] and performance [ the emergence of the house as a performative, dynamic garden rather than a static piece of art.]

Filed under: Architecture, Competition

Coexistance

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There is a moment on the highway between Narita Airport and Tokyo, when the road banks to the left, and you are elevated, floating above the bustling streets at dusk. You travel past apartment buildings, their fireproof metal panels beginning to fade with time, and clothes strung from lines creating a new, ever-changing mesh work facade. You travel past massive sporting complexes, their over-sized geometry creating wonder and mimicking the dance of bodies and equipment within. And you travel past sleek, glass office towers – even at this time of day, lit from within, the throng of well-dressed bodies moving around like ants in a child’s plastic farm.

At this moment, looking to my left across a perfectly green and manicured corporate garden, noticing how active the building looks, I simultaneously notice the second layer of activity: the Tokyo street below me, which I had almost ironically forgot existed. Then comes the third layer: the very elevated street I’m traveling on. As the journey continues through Tokyo, over the bay, through Chiyoda Ward, and out through the slowly shrinking buildings towards Kawasaki, it becomes obvious that although the size of the buildings decrease, the vitality of the city streets do not. Ward after ward, neighborhood after neighborhood, life thrives in this city. It matters not if its a weekday or weekend, winter or summer, 2pm or 9pm. People exist, people move, people live all around you, and it is this vitality that makes Tokyo, or any city, truly successful.

Having spent a good deal of time in four large cities in my life: Tokyo, Los Angeles, New York, and Chicago. I have to admit that unfortunately, Chicago is the only one which does not posess this type of vitality. But recalling my time in Tokyo, L.A. and New York, my heart begins to beat faster, and the human in me (not the architect in me) wants to take it all in and live.

Tokyo’s is so obvious that one is almost knocked unconscious by it. New York’s is similar, although it certainly has more hot and cold moments. However, when you catch New York in one of its hot moments, when the weather is right and EVERYONE knows it and are taking advantage of it, it is truly magical.  The street food, the constant ground-level retail, the labyrinth of underground secret passageways known as the MTA. This city is truly a living, breathing creature.

Los Angeles’ vitality exists in its underbelly. Los Angeles’ working class and imigrant population is its most powerful entity, and one that has truly overtaken it.  Its this working class that gets completely overshadowed by the bright, plastic lights of Hollywood and Rodeo Drive.  Visitors to Los Angeles often wonder how an entire city can survive only by the entertainment industry – as if there is no other industry in the city besides what gets magically beamed to their television sets every evening.  But this working class is what gives Los Angeles its “buzz.” There is a dull hum to the city – an obscuring veil – which continuously informs you that while you are currently breathing its [sometimes thick and orange-brown] air, none of it really belongs to you and you are truly only one small part in a vast show that’s being performed behind the cameras and off the stage sets.

We all coexist on this Earth, in locations of varying shape, type, and density.  Architecture, urban design, landscape: these are all simply means of ordering how we interact with one another. Without feeling like a small part to a larger whole, this life would be stagnant and lonely. I wish to celebrate the places on this Earth that make me feel like a human, by making the swarms of other humans around me a bit more sublime.

Filed under: General

Aqua Tower: Chicago

 

Image by: R.L. Segal

Image by: R.L. Segal

We’re about to do something we really shouldn’t do on a proprietary blog – talk about another firm’s project. But the world is not made up of Plex projects…although wouldn’t that be something?

From our living room window, one can see the top of the Aqua Tower, which is quickly nearing completion in the River East area of Chicago. Many bloggers, critics, and laypeople have had their say about this building, so I’ll attempt to add my take on the topic quickly, as to get you back to your more thorough investigation of it.  As with many new buildings in Chicago and throughout the world (including the Trump Tower and the Calatrava Spire), one may say what they want about the aesthetic of the building. One may like it or dislike it. One may think it’s too wavy, or from certain angles, the slabs look to thin, or it’s too tall, or its not tall enough, or the facets of certain balconies looks strange, or it doesn’t fit within any context, or the patterns do not align or coexist beautifully enough. There are certain criticisms of Studio Gang’s design which might actually be worth something. But to anyone outside of the architectural sphere – to the people who this building was actually built for – what does it really matter? This is a new building which makes people talk about architecture. From the street merchants, to the investment bankers, every day thousands of Chicagoans are looking up towards the sky and seeing something they’ve never seen before – and boy, is that refreshing.

We must applaud Studio Gang not only for designing a(nother) groundbreaking piece of urban architecture, not only for thinking it up in the first place, but for remaining steadfast in their vision for YEARS, for taking all the punches from the typical Chicago folk who only want to see (ridiculously) simplified Louis Sullivan buildings and Wal-Marts constructed. For convincing their client that, yes, design IS worth extra time, headaches, and maybe even money. (Can you imagine?) That through art, inspiration, and passion, maybe a stupid building CAN create a better, more thoughtful and wonderful life for us who are lucky enough to either live in or within eyeshot from this new beacon of imagination.

While this building is growing on me, as a rival architect, I am contractually bound not to like it 100%. But for anyone to discuss this building and NOT to give it immense credit is certainly either jealous, ill-informed, or naive.  The Aqua Tower represents everything that architecture should be: technologically advanced,  simple, audacious and stimulating.

Filed under: Architecture, General

SoulStice

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A while ago, Plex were lucky enough to work with SoulStice on some artwork on a few of his hip-hop albums. For those who don’t know, SoulStice is an up and coming hip hop artist based in the Baltimore/DC area, and a close personal friend.  He’s also a signal processing engineer at Johns Hopkins, so if you’re trying to criticize him on ANY front….good luck. The man’s got pretty much everything pretty much figured out.

Well, as it turns out, Soulstice has a new album out called “Beyond Borders,” and iTunes has decided to highlight it on their hip hop front page. So please check it out – and don’t forget to go through some of his older stuff as well – you might see a bit of Plex out there! Plus, don’t forget to check out his collaboration entitled “Wade Waters” – it’s certainly a keeper.

Plex wishes SoulStice all the best of luck – but really – he doesn’t need luck. He’s got all the skills, intelligence, and integrity to make it on his own.

Filed under: Graphic Design, News

M-House Photos

Plex is proud to announce the completion of the M-House in Tokyo, Japan. Upon our recent visit to Japan we were able to take some photos and present them to you here. The M-House sits on a typical Tokyo lot, on a site which slopes away from the street. Because of this, the best views through Tokyo and Yokohama beyond are out the rear of the site. Therefore, the street facade is mainly solid – maintaining visual privacy to the family as well as keeping out the sometimes harsh sound of traffic.  Upon entering the residence, the user is turned around by entering on the side, and ascending up the main stair parallel to the street, rather than the more typical perpendicular orientation. Once arriving at the second, or main living floor, the user makes a 180-degree turn, completing the disorienting path to the living space. Now, the user is unaware of front/back and only concentrates on the views given to them by the continuous windows along the South and East walls, and the ample space afforded by the Great Room, containing dining, relaxing, and conversing spaces.

Continuing up to the third house are two large bedrooms for the children, who inhabit their own floor complete with private bathroom and exterior terrace. The roof can also be accessed easily by another permanent staircase, and once on the roof, 360-degree views of the Tokyo metropolitan area open up, as the roof level is the highest point in the neighborhood. 

Filed under: Architecture, Photos

Car-Free Cities and Suburbs

Here in the United States, we are faced with a massive dilemma.  We are a young country, fed on dreams, hard work, and the automobile industry. Recently, the car industry has let us down, and FINALLY, American consumers are pushing a new standard – walkable cities. Europe and parts of Asia have had this figured out for years, but we’re just catching on now. So, do we abandon the car-centric philosophies that have made us who and what we are, knowing that we’re driving ourselves into a smog-ridden, inescapable debt? Or do we cut ties and redefine ourselves, undoubtedly an idea which will be branded “un-American” by man small-minded nationalists.

Thankfully, the debate has slowly been surfacing on a broad scale. Money has been begun to be inserted to public transportation programs and urban, walkable and livable cities have been planned in typically sprawling, suburban landscapes to heavy praise.  Projects like these need to continue and the people of America need to see for themselves the obvious benefits to urban lifestyles, rather than the dated, disproven “American Dream.”

This link discusses a few different projects and viewpoints, and is just a beginning to information regarding this pressing issue.

Room for Debate Blog – NY Times

Filed under: General

M-House Substantial Completion

We are very happy to report that our clients have moved into the M-House in Tokyo. There are a few minor details that need ironing out, but they’re in and happy, and that’s all that matters.

The house is a three story house for a single family with a full roof deck. The ground floor contains a guest room and bathroom. The second floor houses all the public space – kitchen, dining, living and small office. The upper floor has three bedrooms and an exterior terrace lining one full side. A stair links the third floor to the roof, with a 360-degree view of the local Tokyo district.  Because of the terrain of the site, the front of the house was kept very solid, with the rear opening up to vast views of the city beyond. The views are the true essence of this project, with window size, location and geometry driving and controling what the user sees, and when.

These images were taken after the clients have moved back in. We will be travelling to Tokyo soon ourselves, and will try to bring back even more images. It was an absolute pleasure working on this, our first single-family residence.

Filed under: Architecture, Photos

Park Bench Competition Results

Plex Design recently participated in a Park Bench competition sponsored by the Nakasatsunai Art Village in Hokkaido, Japan and judged by Kazuyo Sejima.  Unfortunately, we were not selected as one of the finalists, but the good news is we are now able to show images of the model which we submitted. More material will follow soon, but this model was the only submission material allowed for this particular competition.

Our design continues Plex’s pursuit for humans to share space with nature in their everyday lives. Our idea came from the wonderful feeling one gets from lying in a field of wild flowers. By lowering the level of your body to the Earth, you are able to share space with the flowers and enter a new atmosphere that we are not often able to experience. Unfortunately, it can also be uncomfortable, dirty, and difficult for some people to achieve this position on the ground.  Therefore, we have used the level of the park bench as a new “ground” datum, so that as people move towards the Earth, the flowers also move UP towards the people – and meet in the middle, at the level of the park bench. The bench becomes the new ground.

The vertical elements of the bench legs are widened, and hollowed, allowing soil into each leg, tranforming the utilitarian legs into varying sizes of planter. Flowers, shrubs and small trees are planted, and these platers actually hold up the bench surface. When people then sit on the bench, they share the space with plant life, increasing their awareness of the Earth and its wild life.

Filed under: Competition, News, Photos, Product Design

Congratulations Peter Zumthor

We at Plex Design would like to congratulate Peter Zumthor on his Pritzker Prize. 

In these times of instant media, publicity-seeking wunderkinds stealing most, if not all, architecture headlines and glossy computer renderings (look who’s talking), it is fantastic to see Mr. Zumthor receive the credit he most certainly deserves. His is an architecture of meaning, physicality and reflection.  He began his career as a cabinet maker, and uses his profound knowledge of natural materials to bring a unique human, sensory experience to modern, minimalist architecture.

Both of our personal and professional lives were enriched by a 2006 visit to his Therme Vals bath in Vals, Switzerland.  Immediately after arriving at the site, we realized in person what the Pritzker Foundation has just acknowledged in this award.  As fellow architects, we recognized that the mind who created this wonderful space was more than merely talented, but a truly gifted creator.  As humans, we recognized that space and experience could be molded and heightened by contemplation and thought for life, light, and natural elements. We would like to thank Mr. Zumthor for his life-long dedication to improving this planet, and the Pritzker Foundation for recognizing a genuinely remarkable talent.

Filed under: Architecture, News